Who’s me?

My name is Richard Rickert.
I was born and raised in Germany, learned to be an artist and ran a pottery studio for most of my life.

Who’s me?

My name is Richard Rickert.
I was born and raised in Germany, learned to be an artist and ran a pottery studio for most of my life.

my journey

I grew up in post-war Germany right on the Dutch border near the big river Rhein in a small town populated with about 15000 at the time.

OUR STORY

We, that is my seven siblings, my parents our maiden Maria and me, lived in an old villa, a castle-like building, erected by my grandmother on the turn of the century in 1898.

Overgrown with natural wines, whose leaves turned red and yellow in autumn it lay on the far edges of town surrounded by bushes and a small stand of premium box trees. We used to call a hectare of land our own and often the whole neighbourhood of kids – and there were kids aplenty – swarmed the place calling and yelling as we conducted our self-forgotten plays.

PARENTS

My dad followed his job as a country vet and often took us along on his tours to the farms. We had a great childhood although – unknown by us kids at the time- overcast by the dark shadow of atrocities committed during the war which hung over the whole nation of Germans.  

My mother – later identified as of Jewish origin – had a challenging position in a mainly Catholic dominated town which had grown Nazis like carrots during the dark period that lay in the past now.

She married my father during the war on one of his war-holidays and only joined him in Borken after his return from the British prisoner of war camp.

My parent’s relationship, still heavily under the stresses endured, was rather tens and often laden with emotional unease. At the same time, my dad, who had joined the peace movement and took a pacifist’s stand against the reorganization of the new German army, propelled his children into a rebellious position to whatever pressure applied to us by the old guard teachers and conservative, bureaucratic forces of society. Thus we turned out to be amongst the first in town to break the dress code and venture out into unconventional territory.

PASSION FOR CREATIVITY

My father’s sympathy for the creative forces dwelling in his evolving children propelled him to finance a Waldorf School for three of us, which bear lifelong fruits on me. 

Leaving home at age fifteen, I took to the streets and forests for a year before deciding I would like to have a hands-on career becoming a potter.

The impression I left on my future master must have been historic, as all my clothes were self-made, my hair long, and my feet covered in wooden clogs, traditionally worn in the region on farms, but long out of fashion, and painted with colours of the rainbow.

He checked me up and down and expelled with an amused grin: I give yeh a try for a couple of months. Let’s see if you can work!”

Self-determination always spelled in capital letters throughout my life.

Time of traveling followed these years of living in a fast-changing society which, interrupted by political turmoil seemed to be still working hard adapting to an even faster-growing economy.

Far away India and the ancient wisdom it had to offer was explored reaching it hitchhiking through the, at the time still open and thriving Afghanistan. It certainly left impressions on me I’ll never forget. A mountain in the region of its capital Kabul appeared on the horizon in the morning as small peek viewed over the desert, and grew and grew the whole day long as we slowly approached our destiny.  

Visiting several potteries throughout the Far East I learned about the primitive but skilled ways inherited by the potters over thousands of years from forgone generations.

My way back to Germany initiated when I realised that the love I’d found just before I left home constantly coloured the experience I was having. So, I returned to meet my future wife Maria, later mother of three of my children. Together we founded our first pottery in an old cottage build in 1754 exactly 200 years before we both were born.

Like a dèjá vu it hit us at first entry, knowing that we would live and work there, but sure not to make it our home for the rest of our time.

Shortly after my acceptance as an apprentice, my girlfriend and I moved into a big old farmhouse, left by its owners for the land to be subdivided and build on in the following years.

I loved my new job and jived through quite a few arguments with the conservative management because my skills advanced quickly, and thus made myself irreplaceable in the workforce.

We spend a magic period of our life there together.

I suppose we were Hippies. Long haired colourful folks with new ideas about social life. Not everything worked out, but a lot did and I don’t regret the process one bit. 

We set up our first little business in that cottage, pottery, and converted the living room into our first shop.

People loved our work and thus we quickly progressed to have a shop in town.

It was a very old building from 1500 and as a central feature, I placed an open fireplace built from sandstone in its centre.

We had people coming in, looking around wondering what it was that made this shop so different from what they were used to see.

But it wasn’t the outfit alone, I am sure, even then we practised meditation and that inner calm radiated from our hearts supporting an atmosphere of intent freedom and compassion. When we closed that shop five years late in preparation for our migration to Australia, customers walked in shedding tears of farewell. 

The choice offering itself to us at the time was to either live a comfortable life of predictability – a nice home with two cars in the port and holidays several times a year – or move to Australia and carve a new life from the bush. We decided on the latter.

„Das Töpferhaus“ (The Potter‘s House) on the far left of the old council building.

But it wasn’t the outfit alone, I am sure, even then we practised meditation and that inner calm radiated from our hearts supporting an atmosphere of intent freedom and compassion. When we closed that shop five years late in preparation for our migration to Australia, customers walked in shedding tears of farewell. 

The choice offering itself to us at the time was to either live a comfortable life of predictability – a nice home with two cars in the port and holidays several times a year – or move to Australia and carve a new life from the bush. We decided on the latter.

„Das Töpferhaus“ (The Potter‘s House) on the far left of the old council building.

Our first touch down onto Australian soil I remember like today. I felt the old ground under my feet vibrating in a very low frequency, so low in fact, as if the heartbeat of the world was suddenly noticeable. 

It felt like coming home to me!

We – that is my first wife Maria and our then two little boys, Johannes (4y) and Bernhard (2mth)- started from scratch, bought a place of then 2000 hectares in the bush endeavoring to build a new, adventures life.

Yeah, certainly the move to Australia opened our eyes. You know, looking out of the car window into the landscape knowing that for the next hundred kilometres to find nothing but indigenous land, no road, no factories, no neighbours to have to deal with and last but not least no other countries threatening the existence of each other, felt just like a haven to us.

Our first intend to plough with horses and make our way to the shopping mall, thirty k‘s away, on horseback was soon mended.

Thank God there were petrol pumps to water the garden!

The experience of farming sheep and cattle is still lasting till today, only that our oldest son Johannes has taken it over. But a living is generated from the tourist income generated from a large pottery workshop and accommodation hired to the many people coming out for a break from their busy lives in the cities. 

Once our children had grown up Maria and my way parted. 

I went back to Germany to work on an artistic career, fulfilling unresolved dreams of seeing my innermost inspirations recognized by society as contributions. 

Contrarily to all economic considerations, I did my art, unfolded some of my urges and drove needs to sculped and paint.

The success of expressing myself turned out to be a tremendous boost to my emotional life and understanding, but my need to make an income disappeared behind the horizon. 

As finances dwindled into oblivion a change was inevitable. 

A traditional German proverb says: Shoemaker, stick to your molds!

So in an act of desperation, I turned back to a pottery vessel water purifier which I had, as a side-line, always given some attention. 

Time was right and demand soon grew to substantial proportions to give me grounds to live on. 

I always seemed to love what I am doing but my realization, that this pure exchange of “labour of love” for money aiming to save for my oncoming age, will never grant a dignified departure, let me to allow for change as being the most essential force in life. 

And changing I did!

Oh, how wonderful it is to face our fears and reap the results of courage! 

Looking, searching, following deeply motivated interest. Considering the implications on my immediate environment consisting of the beloved people I knew and the extended circles of society I lived, I soon became aware, that aiming to live a truly abundant life will change not only my own but everyone’s life for the better. 

 To understand this point turned out to be a true challenge to myself as I was born and raised condemning the rich for their arbitrary, seemingly ruthless and egotistic behaviour towards the natural world, thinking of their competitive gain only. 

 It was at this point I re-devoured what I had learned from early experiences in my life namely that the source of all existence is one and is always looking to express itself in all its glory and inert intelligence. 

The implication of this will result in an honourably conducted life as long as the aim of every action is focussed on the common improvement of circumstances for all. 

My core understanding till then hovered around spiritual enlightenment while considering the material outcome as negligent. 

But now I knew that all in life has to work hand in hand, the inner world with the outer world, to the benefit of all involved. 

The major shift to me was accepting that circumstances and age had led me to a new frontier, to confront me with new challenges by the cheer knowing that a fresh intuition was engaged for me to discover a potential that lay dormant before and that had been lurking to come to flourish. 

That is the kind of “re-birth” we all experience throughout life if only we manage to overcome the anxieties keeping us from it. 

And where does the right action lie?

In growing our understanding of who we are and taking precise steps towards where we want to get.

That in itself is a whole chapter addressed by me in many posts and shares on my website. 

 Thank you for your interest!

And thank you for giving yourself the appreciation of seriousness!

I can do this and

you can do this because

we can do this together! 

 

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